You all know I adore Bristol. You may or may not know that I’m also a bit of a token film geek. So imagine my delight when I was told I would be contributing in a small part to the now somewhat legendary Slapstick festival, which brings joy and delight to Bristol every dreary January.
A celebration of the best of silent and visual comedy, Slapstick champions early pioneering comedians such as Charlie Chaplin and Laurel & Hardy, through to ‘vintage’ comedy from the likes of The Goodies and Vivian Stanshall, right up to the present day surrealists (and Visual Comedy award-winners) Reeves & Mortimer. Plus, it gives me a chance to truly indulge in my love of Buster Keaton for at least one whole weekend a year.
I was one of the lucky ones to attend the festival’s grand opening on Friday night – the Slapstick Gala, hosted by Chris Addison, with screenings of Chaplin’s ‘The Immigrant’, Laurel & Hardy’s ‘Big Business’ (with Rick Wakeman improvising on piano!), and Buster Keaton’s ‘Seven Chances’, with live score provided by the European Silent Screen Virtuosi.
As soon as we stepped into the Colston Hall, everyone was in full Slapstick mode – there was a live band providing jazz music, with swing dancers performing in the foyer! There was even a lonely chap in the corner getting into the swing of things, take a peek below:
Needless to say, the show was absolutely brilliant, with a surprise segment in the middle from Lucky Dog Theatre Productions providing a tribute to Stan & Ollie. The highlight for me was definitely Keaton’s Seven Chances, with the live music making all the difference. There’s something charming and weirdly rewarding hearing a crowd of 1800 people chortling with laughter at a film without dialogue, and a strange comforting feeling of being somehow connected with those early audiences, viewing cinema in the same way that they might have.
Other highlights for me included The Goodies taking a look at their favourite Laurel & Hardy clips, including the infamous scene where for some reason they are hauling a piano across the alps on a rickety bridge and encounter a gorilla (of course), which was met with howls of laughter from the audience.
I also have a new found appreciation for Morcambe & Wise, having attended a show at the Bristol Old Vic with another comedy legend Barry Cryer discussing what it was like working with the pair throughout their career, and sharing some of his favourite moments along the way. It’s funny how many clips I recognised, but I suppose it just goes to show the staying power and timeless humour in visual comedy.
On Sunday, me and Tom closed the festival by watching an interview with one of our favourite double acts, Reeves and Mortimer, who accepted their award for Outstanding Contribution to Visual Comedy. The pair were interviewed by Marcus Brigstocke, who I felt really sorry for, but I reckon he managed to do a pretty good job steering the conversation the right way when it went off on a surreal tangent. They were hilarious, of course, and seemed proper chuffed with their awards, which were fashioned like another comedy duo, Morph and Chas!
Looking back at it, I can’t quite believe it’s all over. I’ve been working on Slapstick stuff since October (I sometimes do the socials), and way back then it seemed like ages away. The whole weekend was absolutely amazing, with a really wonderful atmosphere at all the venues and shows I went to. A massive thank you to Slapstick for letting me attend so many brilliant shows, I can’t wait til next year!
All B&W comedian images (C) Slapstick Festival.
Vic & Bob images (C) The Bristol Post.
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